CHIHARU SHIOTA. Another Planet, solo show, A4 Art Museum, Chengdu, Sichuan, China

Chiharu Shiota

Another Planet

28.09.2024- 16.02.2025

+ info

OFFSCREEN. París. José Luis Landet

OFFSCREEN París

16-20 october 2024

+ info 

FRITZIA IRIZAR. Relational Routes. Lucía Mendoza Gallery

Fritzia Irizar in
Relational Routes
Group exhibition at Lucía Mendoza gallery

Curator: Javier Martín-Jiménez

09.2024 – 07.2025

More information: here

 

CHIHARU SHIOTA: I to EYE. Nakanoshima Museum of Art, Osaka

Chiharu Shiota
I to EYE

14.09.2024 – 01.12.2024

+ info

VARIATION/ Paris: PAISAJE PERPENDICULAR, José Luis Landet

OPENING SUNDAY 13th OCTOBER, 15 – 19 H, Paris

I think of my work as the place where there are different ways of operating and assimilating cultural processes traversed by social, political and ideological actions. I am interested in investigating some vestiges or socio-cultural wastes, for example: recovering painted landscapes (oil on canvas, produced between 1940 to 1970), with a certain Romantic or Bucolic look, made by amateur painters. A search for a particular notion of paradise, in order to recreate an apocryphal individual.

These images (paintings) and other symbolic elements such as everyday objects, photographs, letters, postcards, super 8 films, slides, writings, magazines and books are part of the materials with which I work, in a material and conceptual deconstruction.

When I find these objects, they have a thick background composed by memories, time and use. It is important for me to analyse each one of them, take a photographic record, classify and, later on, manipulate them according to the needs of the project in turn.

Usually these actions have to do with filing, cutting, breaking, covering, forging, submerging, fragmenting, simulating, getting them out of the shadows and resignifying them. These are metaphoric and poetic actions.

Public and private
The Utopian Past
The dystopic present
The Universal History

– José Luis Landet

VARIATION is a collaborative project between the galleries Sator and NF/ NIEVES FERNÁNDEZ aimed at increasing the international visibility of the artists from both galleries through the presentation of individual exhibition projects in Paris and Madrid.

Perpendicular Landscape by José Luis Landet is its fifth edition and will take place at the Sator gallery in Romainville, from October 13 to October 26, 2023.

For more information, click here

 

CLARA SÁNCHEZ SALA. Group exhibition ‘L’art de l’araignée’. JULIO, París

JULIO présente Assemblage #47 L’Art de l’Araignée
12.10.2024 – 02.11.2024

Artists: Cecilia Granara – Carlota Sandoval Lizarralde – Ghislaine Portalis – Clara Sánchez Sala
Curator:  Margaux Knight

+ info

NO PLACE TOUR 2024. VIENA. No Place/Sequenzprotokoll

Sturm & Schober

September, 13th – November, 8th 2024

Curator: Thomas Gänszler

Artists:
Galerie Sator: Éric Manigaud
NF/NIEVES FERNÁNDEZ: Clara Sánchez Sala
Arróniz: Pablo López Luz
Nueveochenta: Esteban Peña
Sturm & Schober: Russell Maltz

VIDEO: CAMPING: ‘NO SER NI LA SOMBRA DE LO QUE SE FUE’ BY MARIA JEREZ

 

 

NO PLACE TOUR 2024. BOGOTÁ. Bouquet Transnacional

Galería Nueveochenta

13 junio – 19 julio 2024

Curaduría: Fernando Uhía

Artistas:
NF/Nieves Fernández: Daniela Libertad
Arróniz: Fabiola Menchelli
Sturm & Schober: Inge Dick
Sator Galerie: Hugo Deverchère
Nueveochenta: José Olano

Para más información, pinche aquí

 

 

Nueveochenta Gallery.

June, 13th – July, 19th 2024

Curator: Fernando Uhía

Artists:
NF/Nieves Fernández: Daniela Libertad
Arróniz: Fabiola Menchelli
Sturm & Schober: Inge Dick
Sator Galerie: Hugo Deverchère
Nueveochenta: José Olano

For more informacion, click here

 

CAMPING presents: ‘No ser ni la sombra de lo que se fue’ by María Jerez

TO BUY A TICKET, CLICK HERE.

 

When we see a shadow, especially where there should not be one, we tend to turn to see what is producing it. This work forgets the cause in order to focus on the shadow and stay with what it produces. A new image, a phenomenon that is no longer just the body that generates it, but is itself another body, a body always in relation: with the light, the surface on which it is projected, as well as with the distant bodies that are in it. Superimpositions, reflections, fragments, biases, distances, phantoms…

The work of MARÍA JEREZ (1978) is situated ‘between’ choreography, film and the visual arts. Since 2004 she has produced pieces that explore the relationship with the spectator as a space in which modes of representation are put in crisis. From The Case of the Spectator to her latest pieces, this relationship has mutated from a place of understanding of theatrical and cinematographic conventions, to the intentional loss of references where the artist, the piece and the spectator behave towards each other as strangers.

‘No ser ni la sombra de lo que se fue’ is the twelfth edition of CAMPING.

CAMPING is a project by Nerea and Idoia Fernández, directors of NF/NIEVES FERNANDEZ, and Blanca Cortés, lawyer specialized in intellectual property.