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Chiharu Shiota

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Heir of Ana Mendieta and a whole generation of feminist artists form the early 70’s, Shiota works with her body as an intervention space, realizing performances that deal with our link with the earth, the past and the memory.

Well known for her installations with thread as main material, her symmetric tangles captivate the spectator at first sight, creating feelings that go between safety and fear, fascination and ugliness, while awakening memories, and both absence and existence as philosophical matters.

The presence and absence of her body is the thread running through her work, and ultimately is what makes it possible to understand her confrontation with the question of defining the artwork, the artistic subject and the public, the interior and exterior space.

In Shiota’s philosophy the true artwork is created only when the expectations for familiar artistic forms of expression are abandoned in favor of a perception of things that get by without any attributions of meaning.

 

INTERVIEWS:

Chiharu Shiota para Brilliant Ideas, Bloomberg

 

TEXTS AND CATALOGUES:

Cotter, Holland, "Anxiety on the Fault Lie: Taking the Cute Out of Japan," The New York Times, March 18, 2011. (web)

Doponchelle, Valérie, "Les robes fantômes de Chiharu Shiota," Le Figaro, May 9, 2012. (web)

Crow, Kelly, “In Washington, 300 Shoes Tied to Memories,” The Wall Street Journal, August 15, 2014. (web)

Giuliano, Marco, “Interview: Chiharu Shiota,” Impakter, July 28, 2014. (web)

Torrado, Damaris, “La artista japonesa Chiharu Shiota muestra en Lleida su vision del universo,” El Confidencial, October 7, 2015. (web)

Sánchez, Raquel Marín, “Chiharu Shiota. En recuerdo de la memoria,“ Wall Street International, April 30, 2016. (web)

Sigglekow, Zara, “Chiharu Shiota in Conversation,” Ocula, October 2016. (web)

Donoghue, Katy, “SCAD’s deFine Art with Carlos Cruz-Diez, Hank Willis Thomas, Chiharu Shiota, and more,” whitewall, March 17, 2017. (web)

Azzarello, Nina, “Chiharu Shiota fabricate a woven wilderness at SCAD museum of art,” designboom, March 17, 2017. (web)

Corboy, Peter, “weaving new worlds: designboom speaks to chiharu shiota”, Designboom, July 16, 2017. (web)

Bucknell, Alice, “Artist Chiharu Shiota spins a ghostly yarn inside a Yorkshire chapel,” The Spaces, March 28, 2018. (web)

Ure-Smith, Jane, “Chiharu Shiota’s high-wire act at Yorkshire Sculpture Park,” Financial Times, May 18, 2018. (web)

Azzarello, Nina, “web of wool emerges from this sculptural steel piano at yorkshire sculpture park chapel,” designboom, May 20, 2018. (web)

Parsons, Elly, “Chiharu Shiota weaves past, present and future at an 18th century Yorkshire chapel,” Wallpaper*, June, 12, 2018. (web)

Cox, Will, “Chiharu Shiota Is Filling the Gallery With Wool,” Broadsheet, August 14, 2018. (web)

Dow, Steve, “Tangle of Memories,” Art Guide Australia, August 23, 2018. (web)

Richards, Stephanie, “These are the projects that curators hope for and artists dream about,” In Daily, August 24, 2018. (web)

Neylon, Johan, “Chiharu Shiota’s breaking point,” The Adelaide Review, October 10, 2018. (web)

Arguile, Katherine, “The threads that bind us: exhibitions to get lost in,” In Daily, October 19, 2018. (web)

Lucie-Smith, Edward, “Chiharu Shiota: Immersive Elegant Scarlet Threads,” Artlyst, December 4, 2018. (web)

Galea, Anna Marie, “Giving public spaces new meaning,” Times Malta, December 30, 2018. (web)

Andrews, Zach, “chiharu shiota weaves webs around two seated performers, 100 years after WWI,” designboom, Febuary 10, 2019. (web)

Riethmüller, Christian, “Den Faden aufgenommen,” Frankfurter Allgemeine Zeitung, April 2, 2019. (web)

Bogdan, Ana, “Chiharu Shiota: “The Fear is Necessary,” The Talks, April 3, 2019. (web)

Takac, Balasz, “Experience Shiota Chiharu’s Soul Trembling at Mori Art Museum,” Widewalls, July 17, 2019. (web)

Reyes, Alma, “Blood and Cosmos. Weaving through Chiharu Shiota’s trembling soul,” Wall Street International, October 16, 2019. (web)

Hideko, Kawachi, “Chiharu Shiota, Red Threads of the Soul,” Pen Magazine International, Feb 2, 2020. (web)

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