GARETH NYANDORO: TOWNSHOP / TOWNSHIP

“Township” is a word rooted in colonial times that has transcended into contemporary Zimbabwe (post-colonial era). At the moment, I hover above like a drone, taking in the current panoramic landscape, which I refer to as “Townshop” (makeshift market stalls on available open spaces). This sight is a familiar trend among developing economies—everyone is trying to survive. Even migrants from developing countries who relocate to Europe often engage in this buying and reselling of trinkets as a means of survival.

The materials chosen for this exhibition mimic the temporary arrangements of urban makeshift markets made from wood, metal scraps, and plastics, adorned with trinkets such as cheap jewelry, locks, hair accessories, cigarettes, and more. These items are arranged in an attractive manner, naturally complementing the hustle and bustle of daily life.

In this exhibition, I have recreated scenes and sounds of prerecorded megaphones mimicking the calls of vendors selling their wares at Bhobho/Gazebo Township. People in all sorts of reflector work suits, customers rushing to grab something to cook for the evening, and Kombi (public transport operators) shouting for passengers all contribute to the atmosphere. The scene is chaotic, yet almost orderly—this is the norm in the Bhobho/Gazebo neighborhood.

Improvised market stalls are dotted on every street corner, mimicking sculpture, performance, and sound (megaphone) art. The landscape, as seen from above, is a mosaic of brown earth, blue, yellow, red, and all sorts of vibrant colors. Whatever one can find is put up for sale—second-hand clothes, bananas in pushing carts. The place is bustling with life and activity.

– Gareth Nyandoro

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