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Mauro Giaconi
Argentina, 1977

 

The work of Mauro Giaconi explores the possibilities of drawing as an expanded field, through which the artist reaches over other disciplines, such as sculpture and installation, in a way to investigate the architecture, the precariousness and the body as territories in conflict.

In this sense, the artist subverts both the role of paper as a medium, as well as the idea of drawing as the basal expression of general artistic practice. This leads towards the occupation of space, the performative gesture that emphases the corporal experience, and the intervention of objects and universal references belonging to the contemporary metanarrative.

Within the conceptual field, his works usually present contents and experiences that either clash or dissolve contrasts, such as birth and death, construction and demolition, freedom and imprisonment, in a thought-provoking gesture that revisits and questions the dichotomous signification of ideas.

Additionally, Mauro Giaconi conducts works as a critical agent for the art production system, having a co-founded in 2014 two important projects: Obrera Centro, a self-managed space for the promotion of interdisciplinary artistic experience, and HerratecA, a tools’ public library. Both cases reveal his interests on collaborative practices that create new spaces and transformative actions, under the assumption that progress and access in culture emerge from collectiveness and dialogue.

He has held solo exhibitions at the Boulder Museum of Contemporary Art, the Museo de Arte Moderno de Buenos Aires, and the Museo Universitario del Chopo, and has participated in group exhibitions at the Gregory Allicar Museum of Art, the Centro Cultural Recoleta, and the Museo del Palacio de Bellas Artes in Mexico City.

His works are part of collections such as Colección Jumex, Fundación Calosa, SPACE Collection, and the Bemis Center for Contemporary Art.

 

 

 

 

 

 

Mauro Giaconi. Un poco con tus ojos. NF/NIEVES FERNANDEZ, Madrid. 2023

 

 

Mauro Giaconi
Trepen a los techos 01
2023
Pigment and eraser on encyclopedia pages
110 x 80 cm

8.000 € (VAT included)

 

 

Tiene un destino de nube

‘Tiene un destino de nube’ [Has the fate of a cloud], whose title detaches from a song by the Uruguayan singer-songwriter Alfredo Zitarrosa, ‘El corazón de mi pueblo’ [My people’s heart], is an exhibition that explores Giaconi’s most recent works, a production that includes an extensive series of drawings on second-hand book pages, and an installation made with the rests of a building located at a corner of Chimalpopoca and Bolivar’s streets in Mexico City, one block away from the artist’s studio, prior to the latest earthquake that shook the city on September 19th, 2017.

In this exhibition, the works of Giaconi explore and reflect on the tensions between memory, deceit, territory, fragility, and appearance, manipulating and transforming objects in an effort to multiply their meanings and generate polysemic images. These images, in turn, are to be completed by the public, through their bodies, their experiences and their own decisions. In this sense, the audience will have the opportunity to transform, by chance or fate, the experiences and landscapes of the exhibition.

The ruins of the building that collapsed during the earthquake are a starting point for Giaconi, who intervenes this rubble and mixes it with other debris found in Madrid. This action proposes a confusion between reality and fiction, and memory and deceit. The rubble with no historical burden is ordinary, recovered from random constructions, whereas the one intervened by the artist has a powerful narrative related to the natural disaster and the negligence of a corrupt system that, ultimately, culminated in the death of dozens of migrant women who previously lived there, undocumented and exploited by trafficking.

In another dual operation, Giaconi presents artworks in which he decomposes books sold by their weight, rather than their contents. These books are no longer information container, but recycling or decoration material. The artist dismantles these objects, subverts their contents, rearranges them without hierarchy and intervenes them using graphite, pigments and eraser. The result of this creative process is a formal cloud that plays with the margins of the book pages and alters the perception of theses ordinary objects.

Mauro Giaconi as had solo exhibitions at BMocA (Boulder Museum of Contemporary Art), MAMBA (Museo de Arte Moderno de Buenos Aires), Museo Universitario del Chopo, and group shows at the Gregory Allicar Museum of Art, Centro Cultural Recoleta and Museo del Palacio de Bellas Artes in Mexico City. His works are included among collections such as: SPACE Collection, OMI International School of Art, Bemis Center for Contemporary Art, in the USA, and Colección Jumex, in Mexico. Furthermore, Giaconi has been awarded with several prizes, such as: Phillips Prize for Young Talents, within the Argentina and Latin America’s rounds, Painting Salon UADE, Argentina’s National Drawing Salon, and ArteBA–Petrobrás Prize in Argentina.

The waste, the work, the rest, the remnant, the swill, the memory, the lie, the heart, the evidence, the obsolete, the weight, the overweight, the song, the fracture, the overflow, the anarchic, the regulated, an oxymoron, the individual, the body, the asemic, the shape of a cloud, its un-shape, that transits, static, without borders, amorphous, unstable, that assembles, disassembles and reassembles constantly, that will be rain, downpour, storm, collapse.

Mauro Giaconi

 

Mauro Giaconi
Tiene un destino de nube
2018
Real and intervened debris

 

 

 

 

 

Mauro Giaconi
Mirarse en el espejo
2023
Pigment and eraser on printing discards.
160 x 206 cm

15.000 € (VAT included)

 

 

Mauro Giaconi. Un poco con tus ojos. NF/NIEVES FERNANDEZ, Madrid. 2023

 

 

 

Mauro Giaconi
Un problema añejo
2023
Pigment, graphite, pastel, and eraser on various pages
160 x 206 cm

15.000 € (VAT included)

 

Mauro Giaconi
Flujo subterráneo
2020
Pencil on paper
210 x 143 cm

12.300 € (VAT not included)

 

 

Mauro Giaconi
Serie De-constructivismo. (Educación III)
2018
Graphite and eraser on 4 pages of a book on education
24 x 31 cm

 

 

Mauro Giaconi
Atlas Internacional
2018
Graphite on paper
36 x 25,5 cm

 

 

Mauro Giaconi
Serie De-constructivismo universal (pintura)
2018
Graphite and eraser on pages of a book on Uruguayan painting
113 x 150 cm

 

 

 

Mauro Giaconi. Tiene un destino de nube. NF/NIEVES FERNANDEZ, Madrid. 2018

 

 

Mauro Giaconi
Serie De-constructivismo universal (con fragmentos)
2018
Graphite, eraser, and fragments of dry paint on 4 pages of bond paper
45 x 45 cm

 

 

 

Mauro Giaconi
Biblioteca (Colegio Dante Alighieri)
2018
Graphite on paper
27 x 20 cm

 

 

 

Mauro Giaconi
Dibujo geométrico
2018
Graphite and eraser on pages of a book on education
19 x 14 x 9 cm

 

 

 

 

Mauro Giaconi
Jesús
2018
Graphite and eraser on pages of a book about Theology
17 x 11 x 9 cm

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mauro Giaconi
Untitled
2018
Powdered graphite, pigments, and eraser on pages of a book
95,4 x 130 cm

8.800 € (VAT not included)

 

Mauro Giaconi
Desintegración
2018
Drawings on 13 pages from the book ‘Historia Universal’
83,5 x 50 cm

 

 

Mauro Giaconi
Serie De-constructivismo (Educación V)
2018
Graphite and eraser on XXX pages of a book on Education and Good Manners.
117 x 53 cm

 

 

Mauro Giaconi
Serie De-constructivismo (Educación II)
2018
Graphite and eraser on pages of a book on education.
75 x 82 cm

 

 

Mauro Giaconi. Desde el fondo del tiempo. Museo Universitario del Chopo, Ciudad de México. 2016

 

 

Mauro Giaconi
Estallido 4
2017
Graphite and eraser on a map
159 x 219 cm

 

 

Mauro Giaconi
Serie Geo-Poesías
2016
Lithography on paper
36,5 x 49,5 cm

 

 

Mauro Giaconi
Cartabón y piedra (serie Geo Poesía)
2015
Graphite and eraser on a map
23 x 30 cm

2.400 € (VAT included)