CHIHARU SHIOTA: I to EYE. Nakanoshima Museum of Art, Osaka
Chiharu Shiota
I to EYE
14.09.2024 – 01.12.2024
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VARIATION/ Paris: PAISAJE PERPENDICULAR, José Luis Landet
OPENING SUNDAY 13th OCTOBER, 15 – 19 H, Paris
I think of my work as the place where there are different ways of operating and assimilating cultural processes traversed by social, political and ideological actions. I am interested in investigating some vestiges or socio-cultural wastes, for example: recovering painted landscapes (oil on canvas, produced between 1940 to 1970), with a certain Romantic or Bucolic look, made by amateur painters. A search for a particular notion of paradise, in order to recreate an apocryphal individual.
These images (paintings) and other symbolic elements such as everyday objects, photographs, letters, postcards, super 8 films, slides, writings, magazines and books are part of the materials with which I work, in a material and conceptual deconstruction.
When I find these objects, they have a thick background composed by memories, time and use. It is important for me to analyse each one of them, take a photographic record, classify and, later on, manipulate them according to the needs of the project in turn.
Usually these actions have to do with filing, cutting, breaking, covering, forging, submerging, fragmenting, simulating, getting them out of the shadows and resignifying them. These are metaphoric and poetic actions.
Public and private
The Utopian Past
The dystopic present
The Universal History
– José Luis Landet
VARIATION is a collaborative project between the galleries Sator and NF/ NIEVES FERNÁNDEZ aimed at increasing the international visibility of the artists from both galleries through the presentation of individual exhibition projects in Paris and Madrid.
Perpendicular Landscape by José Luis Landet is its fifth edition and will take place at the Sator gallery in Romainville, from October 13 to October 26, 2023.
For more information, click here
CLARA SÁNCHEZ SALA. Group exhibition ‘L’art de l’araignée’. JULIO, París
JULIO présente Assemblage #47 L’Art de l’Araignée
12.10.2024 – 02.11.2024
Artists: Cecilia Granara – Carlota Sandoval Lizarralde – Ghislaine Portalis – Clara Sánchez Sala
Curator: Margaux Knight
NO PLACE TOUR 2024. VIENA. No Place/Sequenzprotokoll
Sturm & Schober
September, 13th – November, 8th 2024
Curator: Thomas Gänszler
Artists:
Galerie Sator: Éric Manigaud
NF/NIEVES FERNÁNDEZ: Clara Sánchez Sala
Arróniz: Pablo López Luz
Nueveochenta: Esteban Peña
Sturm & Schober: Russell Maltz
VIDEO: CAMPING: ‘NO SER NI LA SOMBRA DE LO QUE SE FUE’ BY MARIA JEREZ
NO PLACE TOUR 2024. BOGOTÁ. Bouquet Transnacional
Galería Nueveochenta
13 junio – 19 julio 2024
Curaduría: Fernando Uhía
Artistas:
NF/Nieves Fernández: Daniela Libertad
Arróniz: Fabiola Menchelli
Sturm & Schober: Inge Dick
Sator Galerie: Hugo Deverchère
Nueveochenta: José Olano
Para más información, pinche aquí
Nueveochenta Gallery.
June, 13th – July, 19th 2024
Curator: Fernando Uhía
Artists:
NF/Nieves Fernández: Daniela Libertad
Arróniz: Fabiola Menchelli
Sturm & Schober: Inge Dick
Sator Galerie: Hugo Deverchère
Nueveochenta: José Olano
For more informacion, click here
CAMPING presents: ‘No ser ni la sombra de lo que se fue’ by María Jerez
TO BUY A TICKET, CLICK HERE.
When we see a shadow, especially where there should not be one, we tend to turn to see what is producing it. This work forgets the cause in order to focus on the shadow and stay with what it produces. A new image, a phenomenon that is no longer just the body that generates it, but is itself another body, a body always in relation: with the light, the surface on which it is projected, as well as with the distant bodies that are in it. Superimpositions, reflections, fragments, biases, distances, phantoms…
The work of MARÍA JEREZ (1978) is situated ‘between’ choreography, film and the visual arts. Since 2004 she has produced pieces that explore the relationship with the spectator as a space in which modes of representation are put in crisis. From The Case of the Spectator to her latest pieces, this relationship has mutated from a place of understanding of theatrical and cinematographic conventions, to the intentional loss of references where the artist, the piece and the spectator behave towards each other as strangers.
‘No ser ni la sombra de lo que se fue’ is the twelfth edition of CAMPING.
CAMPING is a project by Nerea and Idoia Fernández, directors of NF/NIEVES FERNANDEZ, and Blanca Cortés, lawyer specialized in intellectual property.
TAMARA ARROYO: CANHOTO COMO ZURDO. Kindred Spirits Projects.
Canhoto como Zurdo
Collaborative exhibition with Nuno Sousa Vieira
Curated by Sérgio Fazenda Rodrigues and Virginia Torrente
Kindred Spirits Projects
from the 22nd of May to the 18th of July 2024
For more informacion, click here
ÂNGELA FERREIRA: ABRIL VERMELHO. Centro de Artes Visuais
Abril Vermelho
In the year that marks the 50th anniversary of April 25, the CAV proposes an exhibition in which national and international artists problematize the meaning of this half-century of freedom and democracy in our country. Structured from existing works and commissioned projects, the exhibition will give visibility to ways of understanding the Revolution in polysemic senses, opening a desired space for discussion on what has been done and what remains to be done.
Group exhibition
Centro de Artes Visuais, Coimbra
From April 5 to June 16, 2024
For more information, click here