Ângela Ferreira (eng)
Ângela Ferreira
Mozambique, 1958. Lives and works in Portugal
Ângela Ferreira was born in Maputo, Mozambique, grew up in South Africa, and earned her Master of Fine Arts from the Michaelis School of Fine Art at the University of Cape Town.
Ferreira’s work is concerned with the ongoing impact of colonialism and postcolonialism on contemporary society, an in-depth investigation that she materializes into a concise and resonant formalization of ideas.
She represented Portugal at the 52nd Venice Biennale in 2007 with a continuation of her research on the mechanisms through which European modernism has attempted—often unsuccessfully—to adapt to the realities of the African continent. This project was conceived based on the history of Jean Prouvé’s Maison Tropicale.
Architecture also serves as a starting point for her extensive research into the erasure of colonial memory and the refusal of reparations. Additionally, her sculptural, sound, and video tributes constantly reference the economic, political, and cultural history of the African continent while reclaiming the work and image of unexpected figures such as Peter Blum, Carlos Cardoso, Ingrid Jonker, Jimi Hendrix, Jorge Ben Jor, Jorge dos Santos, Diego Rivera, and Miriam Makeba.
She has held solo and group exhibitions at MAAT, Lisbon; CGAC, Santiago de Compostela; Haus der Kulturen der Welt, Berlin; Culturgest, Lisbon; The Glasgow School of Art, Glasgow; Museu d’Art Contemporani de Barcelona (MACBA), Barcelona; Bildmuseet, Umeå; Museu de Serralves, Porto; Johannesburg Art Gallery, Johannesburg; DePaul Art Museum – Chicago Architecture Biennial, Chicago; Museo Tamayo, Mexico City; Museu Berardo, Centro Cultural de Belém, Lisbon; Stroom, The Hague; Stills, Edinburgh; ICA – Institute of Contemporary Art, Cape Town; Centro de Arte Moderna / Fundação Calouste Gulbenkian, Lisbon; SKD – Kunsthalle im Lipsiusbau, Dresden; Kadist Art Foundation, Paris; SCAD Museum of Art, Savannah, Georgia; Museu Nacional de Arte, Maputo; Oslo Museum, Oslo; and Parasol Unit, London.
She has participated in biennials in São Paulo, Lubumbashi, Gwangju, Taipei, and Bucharest, and represented the Portuguese Pavilion at the 52nd Venice Biennale.
Her work is part of important international collections, including the Art Gallery of New South Wales, Australia; MACBA, Fundación ARCO, CGAC, and Fundación la Caixa in Spain; Fundação EDP, Fundação de Serralves, Coleção António Cachola, Coleção DGARTES, Culturgest, Fundação Calouste Gulbenkian, and Fundação PLMJ in Portugal; FRAC Rennes, France; and Market Gallery Foundation, South Africa.
Ângela Ferreira
Klutsis goes to Algeria
2023
Aluminum, iron, color print on Dibond, plexiglass, speaker, sound 00:01:33 loop
200 x 63 x 63 cm
Klutsis goes to Algeria (pastel 1)
2023
Dry pastel on Fabriano paper
50 x 35,5 cm
Klutsis goes to Algeria (pastel 2)
2023
Dry pastel on Fabriano paper
35,5 x 50 cm
Klutsis goes to Algeria (pastel 3)
2023
Dry pastel on Fabriano paper
50 x 35,5 cm
Ângela Ferreira
Klutsis goes to Algeria (pastel 1)
2023
Dry pastel on Fabriano paper
50 x 35,5 cm
Ângela Ferreira
Klutsis goes to Algeria (pastel 2)
2023
Dry pastel on Fabriano paper
35,5 x 50 cm
Ângela Ferreira
Klutsis goes to Algeria (pastel 3)
2023
Dry pastel on Fabriano paper
50 x 35,5 cm
Ângela Ferreira
Remining JAG (Copper Vaults)
2017
MDF, iron, and drawings
114 x 114 x 130.8 cm
Ângela Ferreira
Study for Crouch-touch-pause-engage (acetate) 4
2020
Pastel, acetate, and adhesive tape on paper
59 x 79 cm
Ângela Ferreira
Realistic Manifesto (Lathe), 2022
2022
Iron, MDF, Plexiglass, Aluminum, Bakelite
170 x 156 x 104 cm
Ângela Ferreira
Dalaba: Sol d’Exil Conakry
2019
Digital print on paper mounted on wall
66.5 x 100 cm
Ângela Ferreira
Dalaba: Sol d’Exil 5 Posters
2019
Photocopy on paper
60 x 40 cm
Ângela Ferreira
Talk Tower for Diego Rivera
2017
Aluminum, wood, drawings, photocopies, speaker, sound, PVC
120 x 130 x 180.3 cm
3 A4 drawings, 3 A3 drawings
Ângela Ferreira
Selected Solo Exhibitions
2023
Ângela Ferreira, Kunsthalle Recklinghausen, Recklinghausen, Germany
SAAL Neon, School of Arts – Catholic University of Portugal, Porto, Portugal
2022
Radio Voz da Liberdade, FRAC Art Center, Marseille, France
Realistic Manifesto (Gabo’s fundamental principles of constructivist practice), NF/Nieves Fernández, Madrid, Spain
2021
Heavier than the Sky, Sismógrafo, Porto, Portugal
Structures et gestes – Indépendance Cha Cha & #BucketSystemMustFall, Centre d’art Ygrec-Ensapc, Aubervilliers / Centre d’art de l’Abbaye de Maubuisson, Saint-Ouen-l’Aumône, Paris, France
Talk Tower for Forough Farrokhzad, Tensta Konsthall, Stockholm, Sweden
A Spontaneous Tour of Some Monuments of African Architecture, Hangar – Center for Artistic Research, Lisbon
2020
Talk Tower for Forough Farrokhzad, Appleton Square, Lisbon
SENSO. Gallery for Lockdown Days: Mayday, 1987, with typographic intervention by João Bicker, Atelier do Corvo, Coimbra
2019
Poco a poco, CGAC, Santiago de Compostela, Spain
Dalaba: Sol d’Exile, Culturgest, Lisbon
Zip Zap Circus School, Festival Modell und Ruin – Bauhaus Centenary, Dessau, Germany
Dalaba: Sol d’Exile, Fidelidade Arte, Lisbon
2018
Pan African Unity Mural, Bildmuseet, Umeå, Sweden
Pan African Unity Mural, MAAT, Lisbon
Demythologize That History and Put It to Rest, Palácio da Ajuda, Lisbon
Diamonds, Obelisk and Others, Lisbon
Permanent Contract, International Museum of Contemporary Sculpture, Santo Tirso
2017
Talk Tower for Ingrid Jonker, DIDAC, Santiago de Compostela, Spain
Magical Land, Curatorship Lab, Coimbra
Zip Zap and Zumbi, DePaul Art Museum – Chicago Architecture Biennial, USA
Talk Tower for Ingrid Jonker, Appleton Square, Lisbon
South Facing, Johannesburg Art Gallery, South Africa
2016
Boca, Centre Régional de la Photographie, Douchy-les-Mines, France
Underground Cinemas & Towering Radios, Galeria da Índia, Lisbon
Wattle and Daub, Old School, Lisbon
Re-signification, College of Arts, Coimbra
2015
A Tendency to Forget, Berardo Museum – Belém Cultural Center, Lisbon
Messy Colonialism, Wild Decolonization, MACO, Mexico City / Open Plan, SP-Arte, São Paulo
Independance Cha Cha, Galeria do Parque, Vila Nova da Barquinha
Monuments in Reverse, CAAA, Guimarães
2014
Independance Cha Cha, Lumiar Cité, Lisbon
Revolutionary Traces, Stroom, The Hague
2013
Entrer dans la Mine, Lubumbashi Biennale, Congo
Political Cameras, Stills, Edinburgh
2012
Stone Free, Marlborough Contemporary, London
2011
Carlos Cardoso – Straight to the Point & Peter Blum Cape Sonnets, Michael Stevenson Gallery, Cape Town
Carlos Cardoso – Direto ao Assunto, Galeria Filomena Soares, Lisbon
2010
Double Lecture, Carpe Diem, Lisbon
Werdmuller Centre and Other Works, Michael Stevenson Gallery, Cape Town
2008
Hard Rain Show, Berardo Museum – CCB, Lisbon / La Criée, Rennes
For Mozambique, Michael Stevenson Gallery, Cape Town
2007
Maison Tropicale, Portuguese Pavilion, 52nd Venice Biennale
2003
In No Place, National Museum of Contemporary Art – Chiado Museum, Lisbon
2002
Zip Zap Circus School, temporary public art, ICA – Institute of Contemporary Art, Cape Town
1999
Casa Maputo: An Intimate Portrait, Serralves Museum, Porto
1990
Ângela Ferreira, Modern Art Center – Calouste Gulbenkian Foundation, Lisbon
Selected Group Exhibitions
2025
Onde terá segura a curta vida?, UNESCO Headquarters, Paris, France
2024
Abril Vermelho, Visual Arts Center, Coimbra
2021
Free State of Barackia, Berlin
Autumn/Winter Collection, EGEAC, Lisbon
Art in São Bento – AA Collection, Lisbon
Witness, Piero Atchugarry Gallery, Miami
A Day in Utopia, Familistère de Guise, Dunkirk
The Silence of the Earth, Braga
100 Years, 100 Artists, Gare Marítima de Alcântara, Lisbon
Drawing in the Norlinda and José Lima Collection, Aveiro
2020
Pretérito Perfecto, with Grada Kilomba and Rogelio López Cuenca, NF/ NIEVES FERNÁNDEZ, Madrid
1 Million Roses for Angela Davis, SKD – Kunsthalle im Lipsiusbau, Dresden
2019–2008
(Multiple exhibitions at CGAC, Kadist, SESC Pinheiros, MACBA, Calvert 22, MAAT, Bienal de São Paulo, and more – full list available upon request)
Awards
2016
Loop Award, Barcelona
2015
Novo Banco Photo Prize, Lisbon
2006
Dr. Gustavo Cordeiro Ramos Prize, National Academy of Fine Arts, Lisbon
2003
Honorary Research Associate, Michaelis School of Fine Art, University of Cape Town
1997
Finalist, União Latina Prize, União Latina Foundation, Lisbon
1995
Sculpture Prize, Caldas da Rainha Biennale
1983
Michaelis Prize, University of Cape Town
Public Museums and Collections (selected)
Tate Modern, London
Museo Reina Sofía, Madrid
Art Gallery of New South Wales, Australia
Associação Industrial Portuguesa, Lisbon
Câmara Municipal de Lisboa
CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela
António Cachola Collection, Portugal
Fundação EDP Art Collection, Portugal
DGARTES Collection, Portugal
Julião Sarmento Collection, Portugal
CRP Photo, Douchy-les-Mines, France
Culturgest, Lisbon
Emile Stipp Collection, South Africa
FRAC Dunkirk, France
FRAC Rennes, France
ARCO Foundation, Madrid
Calouste Gulbenkian Foundation, Lisbon
PLMJ Foundation, Lisbon
Pro-Justitiae Foundation, Lisbon
Serralves Foundation, Porto
Fundación La Caixa, Spain
Institute of Contemporary Art, Portugal
MACBA – Museu d’Art Contemporani de Barcelona
Market Gallery Foundation, South Africa
Michaelis School of Fine Art Collection, University of Cape Town, South Africa
Press
2023 – Kunstforum International – Ângela Ferreira – by Annelie Pohlen
2022 – FRIEZE – Ângela Ferreira’s Radio of Resistance – by Wilson Tarbox
2020 – Contemporânea – Ângela Ferreira: Power Structures (Crouch-touch-pause-engage)
2020 – PAC – ‘Pretérito Perfecto’ en la galería Nieves Fernández
2017 – Ângela Ferreira. FRIEZE. By Sean O’Toole
2011 – Mail & Guardian – »Installation taps into revolutionary’s life – By Julie Frederikse











