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The nude does not simply represent the body, but relates it, by analogy, to all structures that have become part of our imaginative experience

[El desnudo no representa simplemente el cuerpo, sino que lo relaciona, por analogía, a todas las estructuras que se han convertido en parte de nuestra experiencia imaginativa]

Kenneth Clark (1956)

Templo-Pladur genera un paralelismo entre la idea de inmortalidad presente en los desnudos de los dioses griegos con la de los espacios expositivos en el sentido en que se diseñan lugares donde las piezas parecen ser presentadas para la eternidad.

Constante y ancestral ha sido la relación entre la arquitectura y el cuerpo humano.

En la antigua Atenas parecía reinar una armonía entre la carne y la piedra, no solamente la disposición de los templos y las ciudades obedecía a la manera en que los griegos concebían el cuerpo humano, sino que habían convertido el desnudo en objeto de admiración.

Las figuras humanas del friso del Partenón muestran la desnudez de cuerpos jóvenes perfectos de una manera ultraterrenal, aludiendo así a una realidad inmortal. Esta experiencia visual que dignifica y heroiza se asemeja al descrito por Brian O ´Doherty en su ensayo Inside the White Cube: The ideology of the gallery space en el que interpreta el espacio de las galerías modernas como un lugar construido con el objetivo de generar al espectador la sensación de estar fuera del tiempo, o más allá de él. Como si la obra perteneciese ya a la posteridad, o estuviese en un limbo.

El título del proyecto hace referencia al edificio sagrado, pero también menciona el material de construcción utilizado actualmente para el revestimiento de techos y paredes con la intención no solamente de generar un desajuste temporal, sino también de poner en contacto la idea de desnudar o vestir arquitectónicamente las paredes de la galería. El espacio expositivo desnudo es tan perfecto como el cuerpo de los dioses griegos, las obras dispuestas parecen tan eternas como la carne dura de las esculturas que visten y arropan la arquitectura del lugar.

Templo-Pladur pone en contacto la arquitectura de las galerías de arte y los desnudos de los dioses griegos, tan irreales e imposibles que parecen vestidos de carne pétrea, a través del acto de vestir el espacio con obras de arte.

Templo-Pladur es la cuarta edición de Interludios, un conjunto de exposiciones de corta duración en NF/ NIEVES FERNÁNDEZ, cuya propuesta es generar un espacio de visibilidad para proyectos pensados por los artistas, representados o no por la galería, y que hasta entonces no se han podido realizar.

Clara Sánchez Sala (Alicante, 1987) es licenciada en Bellas Artes por la UCLM, Cuenca; Máster Photoespaña Teoría de la Fotografía y Proyectos Artísticos por la UEM, Madrid y Máster en Investigación en Arte y Creación por la UCM, Madrid. Ha participado en numerosas exposiciones tanto nacionales como internacionales entre las que destacan Fundación Juan March: Museo de Arte Abstracto, Cuenca; Centro de Arte Dos de Mayo, Madrid; Fundación Marso, Ciudad de México, México; Museu Nacional Soares Dos Reis, Oporto; Fundación Otazu, Pamplona; La Laboral, Gijón; EACC, Castellón y Centro Cultural Conde Duque, Madrid. Su obra forma de colecciones como DKV, CA2M y Fundación Otazu entre otras.

Noticias

(Sin título) cuerpo sobre espacio es un site-specific de danza contemporánea creado e interpretado por Isabela Rossi. En este solo, la bailarina utiliza maneras no tan convencionales para estudiar, conocer y habitar el espacio presente con una única herramienta: su propio cuerpo.

Un cuerpo que crea nuevos espacios, que construye espacios. Un cuerpo transformando el espacio, un espacio que transforma un cuerpo. ¿Qué me llevo y qué dejo en un espacio? ¿El tiempo es el mismo en cada lugar; en cada experiencia; en el olvido; en la contemplación? ¿El tiempo se puede medir?...

El booth A40 de NF/ NIEVES FERNÁNDEZ, Arróniz y Nueveochenta ha sido elegido uno de los 10 mejores en la feria UNTITLED Miami de 2021 por la plataforma Artsy, con especial mención a Daniela Libertad.

Para leer la noticia completa, pinche aquí. Para conocer los detalles de las obras que presentamos, pinche aquí.

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The booth A40 by NF/ NIEVES FERNÁNDEZ, Arróniz and Nueveochenta has been chosen one of the 10 best stands at UNTITLED Miami art fair in 2021 by Artsy, with special mention to Daniela Libertad.

To read the full news, click here. To know the details of the works that we present, click here.

Proyectos

Camping

Sabemos del poder del arte por su capacidad para convocar y aglutinar a públicos diversos dispuestos a cuestionar sus valores, acciones, creencias y decisiones.

Sabemos también que los tiempos que corren demandan redefinir el valor del arte y la cultura pero que no seremos capaces de hacerlo sin crear entornos en los que sea posible compartir compromisos entre las personas interesadas.

We know the power of art for its ability to convene and bring together diverse audiences willing to question their values, actions, beliefs and decisions.

We also know that current times demand to redefine the value of art and culture, but that we will not be able to do so without creating environments in which it is possible to share commitments among interested people.

Con la ambición de ser más relevantes, permeables y participativos hemos creado CAMPING, una iniciativa que abrirá el espacio de la galería NF/ NIEVES FERNANDEZ a diversos actores culturales, con el fin de que puedan desarrollar y exhibir sus proyectos y creaciones libremente. Tomando como soporte de sus acciones el espacio expositivo, los diversos actores desplegarán sus proyectos temporales interactuando con la exposición instalada en ese momento en la galería.

Con este proyecto, CAMPING ofrece un encuentro entre los creadores y el público quienes acamparán tomando la galería como un paisaje privilegiado en el que disfrutar de un periodo de reflexión y convivencia alejado de las estridencias del mundo exterior.

CAMPING es un proyecto de Nerea e Idoia Fernández, directoras de NF/NIEVES FERNANDEZ y de Blanca Cortés, abogada especializada en propiedad intelectual.

With the ambition to be more relevant, permeable and participatory, we have created CAMPING, an initiative that will open the gallery space at NF/ NIEVES FERNANDEZ to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

With this project, CAMPING offers a meeting between the creators and the public who will camp, taking the gallery as a privileged landscape in which to enjoy a period of reflection and coexistence away from the shrillness of the outside world.

CAMPING is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

The human being often confuses joy with happiness and clings to a superficial idea of life, far from the search for fulfillment and transcendence.

'Prosaico' is a choreography that reflects on the intention of achieving our deepest desires without any effort. For that, a common resource is to deny the most monotonous and daily aspects of our existence until we make them invisible, replacing them with a glow that behaves as a mirage in which we feel more successful.

Yet, our everyday life is filled with subtle bits and pieces full of experiences and beauty. Unfortunately, the path to simplicity is not as obvious and restful as it might seem; on the contrary, it is an art reserved for free minds that can shake off the weight of conventions and the slavery of the predictable to inhabit the mystery of the small and the unexpected.

It is in the prose of the day-to-day routine where one discovers beauty.

"PROSAICO", DE JULIÁN LÁZZARO

The human being often confuses joy with happiness and clings to a superficial idea of life, far from the search for fulfillment and transcendence.

'Prosaico' is a choreography that reflects on the intention of achieving our deepest desires without any effort. For that, a common resource is to deny the most monotonous and daily aspects of our existence until we make them invisible, replacing them with a glow that behaves as a mirage in which we feel more successful.

Yet, our everyday life is filled with subtle bits and pieces full of experiences and beauty. Unfortunately, the path to simplicity is not as obvious and restful as it might seem; on the contrary, it is an art reserved for free minds that can shake off the weight of conventions and the slavery of the predictable to inhabit the mystery of the small and the unexpected.

It is in the prose of the day-to-day routine where one discovers beauty.

To book an entrance to a presentation, click here.

 

JULIÁN LAZZARO (Madrid) graduated in contemporary dance with Honorable Mention from the Royal Professional Conservatory of Dance Mariemma, where he trained with teachers such as Pedro Berdayes, Christine Tanguay, Oscar Lozano or José Reches. Later he expanded his training with different international choreographers such as Damien Jalet, Thomas Hauert, Samuel Lefeuvre or Sharon Fridman.

In 2018 he collaborated in the project “Sin Piedad” by the choreographer Chevi Muraday in his company 'Losdedae'. The same year he joined the German company 'Pforzheim Stattheater'. His interest in pedagogy has led him to teach in different dance workshops.

He currently resides in Madrid where he collaborates as an interpreter in the Antonio Ruz Company. He has participated in his latest works, 'Presente' or 'El Barberillo de Lavapiés'. 'Ruiseñor' is his first project as a creator.

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'Prosaico' is Camping's first action, an initiative that will open NF/ NIEVES FERNANDEZ' gallery space to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

With this project, Camping offers a meeting between the creators and the public who will camp taking the gallery as a privileged landscape in which to enjoy a period of reflection and coexistence away from the shrillness of the outside world.

Camping is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

‘El año sin verano’ [The year without a summer] is an intimate moment of reading, an invitation to immerse yourself in ghost stories by the light of an old fireplace. To remember the childhood times when we continued reading at night under the covers with a flashlight.

We will embark on a journey through a circular book that is constantly forking, which comes to life and takes physical form in the actions of various characters, various ghosts that will accompany us in the room. Together we will experience a time that decomposes and multiplies, and we will immerse ourselves in stories of crazy poets locked in by the rain: stories about the relationship of the strange year without summer of 1816 with the current ecological crisis; of the birth of Frankenstein's creature and the near human extinction and we will read stories of vampires while we will slowly see the wheel of extinctions roll on the planet, the cycle of life and death and the deep darkness that resides in the soul of the terrible predator that is the human being.

"EL AÑO SIN VERANO", BY CARLOS MATÉ AND ELENA URUCATU

‘El año sin verano’ [The year without a summer] is an intimate moment of reading, an invitation to immerse yourself in ghost stories by the light of an old fireplace. To remember the childhood times when we continued reading at night under the covers with a flashlight.

We will embark on a journey through a circular book that is constantly forking, which comes to life and takes physical form in the actions of various characters, various ghosts that will accompany us in the room. Together we will experience a time that decomposes and multiplies, and we will immerse ourselves in stories of crazy poets locked in by the rain: stories about the relationship of the strange year without summer of 1816 with the current ecological crisis; of the birth of Frankenstein's creature and the near human extinction and we will read stories of vampires while we will slowly see the wheel of extinctions roll on the planet, the cycle of life and death and the deep darkness that resides in the soul of the terrible predator that is the human being.

To book an entrance to a presentation, click here.

 

ELENA URUCATU and CARLOS MATÉ work through sculpture, installation, video, performance, architecture or design in projects that deal with our relationship with culture, knowledge and art. Between the lines an ambiguity or coexistence of extremes: on the one hand, the need for post-human thinking, the search for certain keys with which to face the ecological crisis and the shadow of possible extinction represented by the current Anthropocene epoch; on the other, individual constructions on the same situation: obsessive inner worlds loaded with subjectivity, where art and culture would be the only possible anchor point with a world that is falling apart.

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‘El año sin verano’ is CAMPING's second action, an initiative that will open NF/ NIEVES FERNANDEZ' gallery space to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

CAMPING is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

Sponsors of this edition: Carlos Alonso, Marcela Ciacci, Belén F-Vega, Lucía López, Paloma Martín Llopis, Andrés Menéndez, Erico Navazo Moral, David Pastor, Jan Taminiau, Alberto Ucar and Juan Varez.

 

‘Anatomía y Estrategia’ is a choreographic installation by Natalia Fernandes, where the dancer's body is transformed into a living sculpture that, while moving, questions the limits of the body as an artwork. The piece seeks an attentive and vehement gaze at the body that inhabits the space between rationality and nature, in this constant negotiation of concepts that fight and complement each other within each human being.

"ANATOMÍA Y ESTRATEGIA", BY NATALIA FERNANDES

‘Anatomía y Estrategia’ is a choreographic installation by Natalia Fernandes, where the dancer's body is transformed into a living sculpture that, while moving, questions the limits of the body as an artwork. The piece seeks an attentive and vehement gaze at the body that inhabits the space between rationality and nature, in this constant negotiation of concepts that fight and complement each other within each human being.

No reservations are made for this action; entrance will be organized according to the space’s capacity throughout the 3 hours of uninterrupted presentation.

NATALIA FERNANDES is a choreographer and performer from São Paulo, living and working in Madrid since 2017. With a degree in dance from the State University of Campinas (UNICAMP), in Brazil, Natalia also complemented her training with different courses and workshops in Brazil, the USA and Germany. Since 2013 she has been teaching classes on ‘Invented Anatomy: contemporary dance’ in different cities in Europe, Africa and America. She is a visiting professor at the Ana Laguna Conservatory, in Burgos. In 2016, she started a project of classes on body awareness and contemporary dance for refugee women together with the CEAR (Spanish Commission for the Reception of Refugees), in Madrid.

‘Anatomía y Estrategia’ project was the winner of the "Me, Myself & I" award at the 29th Madrid Choreography Contest. It has received the support of the Paso a 2 team (Spain), Musiberia (Portugal), Espaço das Gaivotas (Portugal), Compañía Nacional de Danza (Spain), Centro de Danza Canal (Spain), Museo del Traje/UCM (Spain) and it was a guest choreographic installation for the closure of Ellas Crean Festival, in Madrid, 2019.

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‘Anatomía y Estrategia’ is CAMPING's third action, an initiative that will open NF/ NIEVES FERNANDEZ' gallery space to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

CAMPING is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

Sponsors of this edition: bulthaup claudio coello

"serenity rave is a place, a heartbeat, something that is not visible but is present. It would be something like a suspension that remains, that does not crystallize and that in itself has the ability to mutate in order to open the multiple possibilities that we can find in what we do not yet know and that, perhaps, scares us. A place where the body is an ambiguous territory that makes us perceive the world but not completely and, in which, dance acts as a medium. A rift in which past, present and future converge. A way to invoke dancing all these times together, becoming one, which is sustained forever. serenity rave is the night in which we learned to speak with the body, in which we were overwhelmed and something threatened ruin; It is the night I discovered that my arm was his leg and my head was a ghost, and I, who was standing there dancing, I keep dancing."

Laura Ramírez

"SERENITY RAVE", BY LAURA RAMÍREZ

"serenity rave is a place, a heartbeat, something that is not visible but is present. It would be something like a suspension that remains, that does not crystallize and that in itself has the ability to mutate in order to open the multiple possibilities that we can find in what we do not yet know and that, perhaps, scares us. A place where the body is an ambiguous territory that makes us perceive the world but not completely and, in which, dance acts as a medium. A rift in which past, present and future converge. A way to invoke dancing all these times together, becoming one, which is sustained forever. serenity rave is the night in which we learned to speak with the body, in which we were overwhelmed and something threatened ruin; It is the night I discovered that my arm was his leg and my head was a ghost, and I, who was standing there dancing, I keep dancing."

Laura Ramírez

Laura Ramírez Ashbaugh is a choreographer and dancer. Among her interests are to think and explore about everything that surrounds her, the idea of ​​landscape, ambiguous body, the spaces in between and the feeling with the beat. She is currently working on her upcoming solo called serenity rave. She has actively worked with Ainhoa ​​Hernandez, with whom she created the Twins Experiment collective in 2014, she has collaborated on pieces by María Jerez, Cris Blanco, Lejos Lejos, Esther Rodriguez Barbero, Xavi Manubens or Quim Bigas and four years ago she began her path also as a DJ within a practice of support and complement to her work and a factor of great relevance in it.

Her work is mainly articulated between Madrid, Barcelona and France. Among other activities, she teaches workshops, movement classes, assists as a process tutor to different artists and groups, generates study spaces such as MovLab in La Casa Encendida or the EL CLUB reading club in the Teatros del Canal, she is the creator of a sport consisting of disappearing, she composes music and texts with Andrea Zavala and works in the education department of the Reina Sofía Museum.

‘serenity rave’ is CAMPING's fifth action, an initiative that will open NF/ NIEVES FERNANDEZ' gallery space to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

CAMPING is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

Fardo proposes an encounter between the sound experiment, contemporary dance and the gallery environment.

Fardo offers an experience without passive subjects.

Fardo recognizes the intimate relationship between the contemporary subject and a kind of technological sameness: the mobile that one possesses.

Fardo plays at dismantling the mobile shutdown protocol during the show.

Fardo promotes the active use of mobile phones as a sound source for the show.

Fardo invites public attendees to establish and maintain the sound plot by activating any or all of the variety of alarms installed on their mobiles at will.

Fardo seeks an experience in which contemporary dance will act as a catalyst for such complexity.

Therefore:

Fardo presents the dancer and choreographer Poliana Lima who will be in charge of managing the obstacles, encounters and possibilities inherent to the dynamic tension offered by an art gallery with an ongoing exhibition, an active audience randomly scattered around it, and a state of unpredictable sound.

"FARDO", BY PIPO HERNÁNDEZ RIVERO AND POLIANA LIMA

Fardo proposes an encounter between the sound experiment, contemporary dance and the gallery environment.

Fardo offers an experience without passive subjects.

Fardo recognizes the intimate relationship between the contemporary subject and a kind of technological sameness: the mobile that one possesses.

Fardo plays at dismantling the mobile shutdown protocol during the show.

Fardo promotes the active use of mobile phones as a sound source for the show.

Fardo invites public attendees to establish and maintain the sound plot by activating any or all of the variety of alarms installed on their mobiles at will.

Fardo seeks an experience in which contemporary dance will act as a catalyst for such complexity.

Therefore:

Fardo presents the dancer and choreographer Poliana Lima who will be in charge of managing the obstacles, encounters and possibilities inherent to the dynamic tension offered by an art gallery with an ongoing exhibition, an active audience randomly scattered around it, and a state of unpredictable sound.

 

POLIANA LIMA (Brazil, 1983) is a choreographer, dancer, and teacher living in Madrid. She understands dance as an essential part of her and uses it as a tool to discuss human conditions, and the mysteries of our existence. Amongst her most notable works, there are: ‘Palo En La Rueda’ (2011); ‘Es Como Ver Nubes’ (2012), Public Prize at XXVI Certamen Coreográfico de Madrid and ‘Flesh’ (2012), both with Ugne Dievaityte; ‘Cuerpo-Trapo’ (2013) for the Museum of Contemporary Art (MSU) in Zagreb, Croatia; ‘Atávico’ (2014), first award at XXVIII Certamen Coreográfico de Madrid, Public Prize, Critics Award, Dance Web 2015 Grant (Impulstanz Viena) and residency at Tanzhaus, Zurich; ‘Las cosas se mueven pero no dicen nada’ (2016) for Laboratorio 180 and presented in Teatros del Canal in 2020; 'Hueco' (2019), solo at Teatros del Canal and Festival BAD Bilbao. In 2021 she premieres in France, at the Centre National de la Danse in Paris and continues her tour through Europe. Poliana Lima is the representing artist from Spain at Aerowaves 20/21.

PIPO HERNÁNDEZ RIVERO (Telde,Gran Canaria, 1966) has exhibited in galleries in Madrid, Milan, Tenerife, Las Palmas, Barcelona and Berlin. He has also had individual exhibitions in the Hermita del Gran Poder and in the Circle of Fine Arts of Tenerife, the Art Center of La Recova, and in the Contemporary Art Room of Tenerife. Moreover, he has participated in the Canary Islands Biennial, the Havana Biennial, and in group exhibitions at the Artium in Vitoria, the Krakow, Prague and Budapest museums, and the CAAM Atlantic Center for Modern Art. His works can be found in private collections in Turkey, USA, Mexico, Italy, Spain, as well as in the collections of ARTIUM, CAAM, TEA.

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‘Fardo’ is CAMPING's fourth action, an initiative that will open NF/ NIEVES FERNANDEZ' gallery space to various cultural actors, so that they can freely develop and exhibit their projects and creations. Taking the exhibition space as a support for their actions, the various actors will display their temporary projects interacting with the exhibition installed at that time in the gallery.

CAMPING is a project conceived by Nerea and Idoia Fernández, directors of NF/ NIEVES FERNANDEZ and Blanca Cortés, lawyer specialized in intellectual property.

Proyectos

noplace

no place es una plataforma experimental para la exhibición de arte contemporáneo. Se trata de un proyecto impulsado en conjunto por cuatro galerías –Nueveochenta (Colombia), Arróniz (México), Michael Sturm (Alemania) y NF/NIEVES FERNÁNDEZ (España) – con la intención de generarle nuevas experiencias al público a partir de un modelo de producción alternativo.

no place is an experimental platform for the exhibition of contemporary art. A project promoted jointly by four galleries, namely Nueveochenta (Colombia), Arróniz (Mexico), Michael Sturm (Germany) and NF/NIEVES FERNÁNDEZ (Spain), it aims to generate new experiences for the public via an alternative production model.

Operando bajo un sistema colaborativo, en el que las herramientas, los equipos y los recursos de cada miembro están abiertos a los demás, no place supone un esfuerzo colectivo para producir y financiar eventos en los que el foco de atención recaiga completamente en el trabajo de los artistas. En este sentido, se trata de un experimento inédito, con el que las galerías buscan aportar a aquella transformación de la realidad establecida que suelen buscar todos los agentes vinculados al mundo del arte.

Operating under a collaborative system, so that the tools, the teams and resources of each member are available to others, no place is a collective effort to produce and finance events where the focus of attention rests completely on the artists’ work. In this sense, it is an unprecedented experiment, and one with which the galleries seek to contribute to the transformation of an established reality as typically sought by all agents linked to the art world.

no place is an experimental platform for the exhibition of contemporary art.

Lima 2017

no place is an experimental platform for the exhibition of contemporary art. A project promoted jointly by four galleries, namely Nueveochenta (Colombia), Arróniz (Mexico), Michael Sturm (Germany) and NF/NIEVES FERNÁNDEZ (Spain), it aims to generate new experiences for the public via an alternative production model.

Operating under a collaborative system, so that the tools, the teams and resources of each member are available to others, no place is a collective effort to produce and finance events where the focus of attention rests completely on the artists’ work. In this sense, it is an unprecedented experiment, and one with which the galleries seek to contribute to the transformation of an established reality as typically sought by all agents linked to the art world.

Artists: Omar Barquet, Aldo Chaparro, Luis Casanova Sorolla, Gianfranco Foschino, Fritzia Irizar, Alejandro Jaime, Mateo Maté, Roula Partheniou, Sandra Nakamura, Saul Sánchez

Lima 2017 - Avenida Sáenz Peña, 212 - Barranco.

18 ABR - 09 JUN 2017

www.no-place.me

no place is an experimental platform for the exhibition of co

Berlin 2018

no place is an experimental platform for the exhibition of contemporary art. A project promoted jointly by four galleries, namely Nueveochenta (Colombia), Arróniz (Mexico), Michael Sturm (Germany) and NF/NIEVES FERNÁNDEZ (Spain), it aims to generate new experiences for the public via an alternative production model.

Operating under a collaborative system, so that the tools, the teams and resources of each member are available to others, no place is a collective effort to produce and finance events where the focus of attention rests completely on the artists’ work. In this sense, it is an unprecedented experiment, and one with which the galleries seek to contribute to the transformation of an established reality as typically sought by all agents linked to the art world.

Artists: Sven Braun, Mauro Giaconi, Pipo Hernández Rivero, Juan Fernando Herran, Fritzia Irizar, Russel Maltz, Kevin Simón Mancera, Moris, Omar Rodríguez Graham

Berlin 2018 - Glinkstraße 17.

26 ABR - 12 MAY 2018

www.no-place.me

Proyectos

Conversaciones - Talks

Artist talk by Alexej Meschtschanow at Kunstraum Potsdam regarding the exhibit

ALEXEJ MESCHTSCHANOW: ARTIST TALK

Artist talk by Alexej Meschtschanow at Kunstraum Potsdam regarding the exhibition ‘Demand on Release’, in which he participated along with Jana Müller and Felicitas Hoppe. 

Kunstraum Potsdam, 15 dic/dec 2018, 2 - 6 PM

For more information, click here.

Artist talk with Mauro Giaconi

MAURO GIACONI: ARTIST TALK

Artist talk with Mauro Giaconi

21 SEP 2018

Dance Theater, University Center for the Arts (Colorado State University)

For more information, click here.

Giaconi’s work takes place in the field of sculpture, installation and mainly drawing, which operates as the heart of all his production and starting point to generate spatial interventions and imagery that moves across  the aesthetics of chaos and procedural investigation. Architecture, structure, memory and environment are all key elements in the artist’s practice, which focuses on proposing experiences that build tension between opposite concepts like construction and destruction; birth and death; confinement and freedom; depth and surface; dream and awakening.

José Luis Landet holds a conference at FLORA ars + natura in Bogota, around th

JOSÉ LUIS LANDET TALKS ABOUT "EL FIN DE GÓMEZ ES ETERNO" AT FLORA ARS+NATURA, BOGOTA

José Luis Landet holds a conference at FLORA ars + natura in Bogota, around the investigation of his book 'El fin de Gómez es eterno' [The end of Gomez is eternal], where he reinterprets the original sketches and cuts of nine facsimiles edited, but not printed, by Carlos Gómez (Argentina, 1945-2014), and brings together unpublished texts about the life and work of this artist who has inspired several of his exhibitions.

18 SEP 2019 - 5.00 a/to 7.00 PM
FLORA ars+natura (Calle 77 Nº 20C-48)

For more information, click here

Aiming towards bringing together culture and public, and restoring galleries a

A TALK. ANTONIO RUZ ON ELECTRA

Aiming towards bringing together culture and public, and restoring galleries as a space of dialogue and debate, NF/ NIEVES FERNÁNDEZ held a talk with director and choreographer Antonio Ruz around his process of creating the play 'Electra'.

Mauro Giaconi and Ana Longoni, Head of Public Activities at the Reina Sofia Mu

MAURO GIACONI Y ANA LONGONI: "Herramientas cooperativas en la gestión artística."

Mauro Giaconi and Ana Longoni, Head of Public Activities at the Reina Sofia Museum, held a talk around the theme: "Herramientas cooperativas en la gestión artística. Procesos artísticos independientes como lugar de construcción de pensamiento crítico y de resistencia" [Collaborative tool in artistic management. Independent artistic processes as places for critical thinking construction and resistence].

The talk, held at NF/ NIEVES FERNÁNDEZ on 27 NOV 2018, stems from Giaconi's first solo exhibition in Spain: "Tiene destino de nube".

 

Moris and the architect Juan Herreros held a talk around the theme: "CIUDAD TE

MORIS Y JUAN HERREROS: CIUDAD TERRITORIO

Moris and the architect Juan Herreros held a talk around the theme: "CIUDAD TERRITORIO. El arte frente a la ciudad: conflicto o convivencia" [CITY TERRITORY. The art against the city: conflict or cohabitation].

The talk, held at NF/ NIEVES FERNÁNDEZ on 14 SEP 2019, stems from Moris' second solo exhibition at the gallery: "Allá afuera hay una bala para todos".

In collaboration with the online platform ARTE GLOBAL, NF / NIEVES FERNÁNDEZ m

ARNULF RAINER: Virtual visit to the exhibition Visages

In collaboration with the online platform ARTE GLOBAL, NF / NIEVES FERNÁNDEZ made a virtual visit to the individual exhibition of Arnulf Rainer, Visages, on May 20, 2020. With interventions by Nerea Fernández, Elisa Hernando and Eduardo Salazar Yuste, the viewing recounts further information on the trajectory of this important artist and the artworks presente in the exhibition. The full visit is available in Spanish in the video.